1
00:00:05,368 --> 00:00:08,488
<i>Subtitles in PT-BR
by <b>@cultfilmfansub</b></i>

2
00:00:14,710 --> 00:00:16,935
<i>- Headers.
- Script.</i>

3
00:00:17,246 --> 00:00:19,549
<i>- Eden.
- Architecture.</i>

4
00:00:20,746 --> 00:00:22,286
<i>Composition.</i>

5
00:00:23,755 --> 00:00:26,325
<i>- Makeup.
- Catherine Jourdan.</i>

6
00:00:26,350 --> 00:00:29,125
<i>- Performance.
- Sharp objects.</i>

7
00:00:29,150 --> 00:00:31,535
<i>- Games.
- Viscous substances.</i>

8
00:00:31,560 --> 00:00:34,255
<i>- Mise-en-scène.
- Blood dripping.</i>

9
00:00:34,280 --> 00:00:35,853
<i>Catherine Jourdan.</i>

10
00:00:35,878 --> 00:00:37,154
<i>Richard Leduc.</i>

11
00:00:37,450 --> 00:00:39,335
- <i>Pierre Zirnmer.
- Sexual violence.</i>

12
00:00:39,360 --> 00:00:40,950
<i>Juraj Kukura.</i>

13
00:00:40,975 --> 00:00:43,092
- <i>In the maze.
- Sylvaih Corfhay.</i>

14
00:00:43,365 --> 00:00:45,624
<i>- Murder.
- Lorraine Rainer.</i>

15
00:00:45,649 --> 00:00:47,595
<i>- Sex.
- Jarmila Kolenicova.</i>

16
00:00:47,620 --> 00:00:49,762
<i>- Deck.
- Distance.</i>

17
00:00:49,787 --> 00:00:51,191
<i>- Chess games.
- Ludwik Kroner.</i>

18
00:00:51,216 --> 00:00:52,395
<i>Theatricality.</i>

19
00:00:52,420 --> 00:00:54,702
<i>- Ghost.
- François Gervai.</i>

20
00:00:54,727 --> 00:00:58,670
<i>Laboratory.
Catherine Robbe-Grillet.</i>

21
00:00:59,260 --> 00:01:01,565
<b>EDEN AND AFTER</b>

22
00:01:01,675 --> 00:01:04,561
<i>Eden and After.</i>

23
00:01:04,586 --> 00:01:06,890
<i>-</i> Eden <i>and After.</i>
- <i>Objective.</i>

24
00:01:06,915 --> 00:01:09,352
<i>- Eden.
- Subjective.</i>

25
00:01:10,420 --> 00:01:12,009
<i>Injective.</i>

26
00:01:12,473 --> 00:01:14,288
<i>Surjective.</i>

27
00:01:14,759 --> 00:01:16,476
<i>Bijective.</i>

28
00:01:22,599 --> 00:01:24,449
<i>Images and lights.</i>

29
00:01:42,089 --> 00:01:43,699
<i>Assembly.</i>

30
00:01:50,573 --> 00:01:52,437
<i>Soundtrack.</i>

31
00:02:51,100 --> 00:02:52,547
<i>Objects.</i>

32
00:02:53,241 --> 00:02:54,687
<i>Images.</i>

33
00:02:56,189 --> 00:02:57,804
<i>Imagine.</i>

34
00:02:59,049 --> 00:03:00,588
<i>Imagination.</i>

35
00:03:01,830 --> 00:03:03,387
<i>Ghost.</i>

36
00:03:04,167 --> 00:03:05,627
<i>Haunting.</i>

37
00:03:06,699 --> 00:03:08,530
<i>Haunted house.</i>

38
00:03:09,619 --> 00:03:11,165
<i>Mirror.</i>

39
00:03:12,176 --> 00:03:13,849
<i>Rotating mirror.</i>

40
00:03:15,069 --> 00:03:16,779
<i>Parallel mirror.</i>

41
00:03:18,116 --> 00:03:19,854
<i>Distorted mirror.</i>

42
00:03:21,517 --> 00:03:23,027
<i>Cinema.</i>

43
00:03:24,280 --> 00:03:25,748
<i>Reality.</i>

44
00:03:27,162 --> 00:03:28,618
<i>My life.</i>

45
00:04:31,357 --> 00:04:33,410
Two girls for
hold her arms.

46
00:04:40,869 --> 00:04:43,170
Hurt her if
she moves too much.

47
00:04:45,627 --> 00:04:47,435
Open her legs.

48
00:04:56,440 --> 00:04:58,900
Make it look like this.

49
00:05:21,943 --> 00:05:26,113
Lambda raised to N
about factorial of N.

50
00:05:27,099 --> 00:05:29,005
Multiplied by

51
00:05:29,913 --> 00:05:32,373
sum of V equals zero

52
00:05:32,398 --> 00:05:36,454
to infinity of
(–1) raised to V.

53
00:05:37,690 --> 00:05:43,396
Factorial of N plus 2V
about factorial of 3V plus 2.

54
00:05:46,863 --> 00:05:50,113
T to the power of 3V plus 2.

55
00:05:50,574 --> 00:05:52,647
<i>The image of an F application</i>

56
00:05:52,672 --> 00:05:55,067
<i>is the part of the set
F</i>'s arrival

57
00:05:55,242 --> 00:05:58,734
<i>formed by images
of the first elements of F.</i>

58
00:05:59,681 --> 00:06:02,895
<i>A relationship of
equivalence in a set E</i>

59
00:06:02,920 --> 00:06:06,945
<i>it is a reflexive relationship,
symmetric and transitive.</i>

60
00:06:08,192 --> 00:06:12,695
<i>Number of degrees of freedom
is synonymous with dimension.</i>

61
00:06:13,128 --> 00:06:15,610
<i>If V has dimension N,</i>

62
00:06:15,896 --> 00:06:20,855
<i>N vectors of V constitute
a base only…</i>

63
00:06:20,880 --> 00:06:22,983
<i>When looking for a
geometric place,</i>

64
00:06:23,008 --> 00:06:25,967
<i>if you have three
points not aligned,</i>

65
00:06:25,992 --> 00:06:28,875
<i>don't think that the
result is a circle,</i>

66
00:06:29,108 --> 00:06:32,358
<i>because nothing is more like
one circle than two circles.</i>

67
00:06:32,734 --> 00:06:34,784
<i>And nothing looks alike
more with two circles</i>

68
00:06:34,809 --> 00:06:38,058
<i>than a lemniscate
for a Pascal snail.</i>

69
00:06:38,766 --> 00:06:42,393
<i>The image of a sum
is the sum of the images.</i>

70
00:07:59,726 --> 00:08:00,914
Done.

71
00:08:01,753 --> 00:08:04,061
Six shots. Just one bullet.

72
00:08:04,323 --> 00:08:06,365
A one in six chance of being killed.

73
00:08:09,239 --> 00:08:10,561
Five.

74
00:08:11,246 --> 00:08:13,936
Four shots in the air,
the fifth a success.

75
00:08:16,153 --> 00:08:18,145
There remains a one in five chance.

76
00:08:21,232 --> 00:08:23,133
One chance in four.

77
00:08:25,303 --> 00:08:27,011
One chance in three.

78
00:08:28,633 --> 00:08:30,638
A one in two chance of dying.

79
00:08:45,940 --> 00:08:47,368
Come on, shoot.

80
00:08:47,845 --> 00:08:50,538
Of course, this is stupid.

81
00:08:50,813 --> 00:08:52,903
No more stupid than
than anything else.

82
00:08:56,613 --> 00:08:58,111
He's dead.

83
00:09:13,488 --> 00:09:14,918
How it was?

84
00:09:16,519 --> 00:09:17,942
Median.

85
00:09:19,586 --> 00:09:21,579
It would be better with
real bullets.

86
00:09:22,833 --> 00:09:25,344
There is always the risk of
a shrapnel in the eye.

87
00:09:26,173 --> 00:09:27,673
Let's go to bed.

88
00:09:28,660 --> 00:09:30,096
I'm bored!

89
00:09:30,650 --> 00:09:32,750
Have sex, always have sex.

90
00:09:33,752 --> 00:09:35,238
Sell ​​that thing.

91
00:09:35,525 --> 00:09:36,625
What thing?

92
00:09:36,650 --> 00:09:38,580
That stain is worth a fortune.

93
00:09:41,227 --> 00:09:42,994
What would we do with the money?

94
00:09:43,441 --> 00:09:44,894
A trip.

95
00:09:45,420 --> 00:09:46,552
Where to?

96
00:09:46,577 --> 00:09:48,545
Anywhere.
To another place.

97
00:09:49,113 --> 00:09:50,549
What does this mean?

98
00:09:52,256 --> 00:09:55,483
It's called <i>Composition nº 234</i>.

99
00:09:55,603 --> 00:09:57,657
Your uncle had a
imagination and so much!

100
00:09:58,266 --> 00:10:02,216
Ready. Let's make one
travel to a hot and dry country.

101
00:10:02,381 --> 00:10:04,120
Naked and shiny.

102
00:10:04,145 --> 00:10:06,328
- Consistent.
- Vigorous.

103
00:10:06,526 --> 00:10:09,382
Hard, transparent, rigid.

104
00:10:09,500 --> 00:10:10,802
Etc.

105
00:10:11,176 --> 00:10:12,724
The desert.

106
00:10:14,307 --> 00:10:16,170
To get money,

107
00:10:16,626 --> 00:10:18,770
we will sell to
an American museum

108
00:10:19,017 --> 00:10:22,177
the blue square <i>nº 234</i>:

109
00:10:22,653 --> 00:10:27,384
legacy to eternal culture
by Violette's late uncle.

110
00:10:27,497 --> 00:10:29,352
And to get the frame

111
00:10:29,659 --> 00:10:32,142
we will murder treacherously

112
00:10:33,033 --> 00:10:34,396
your niece!

113
00:10:34,663 --> 00:10:38,741
Now comes the poison scene.

114
00:11:07,675 --> 00:11:09,709
<i>Drink blood</i>

115
00:11:50,868 --> 00:11:53,843
<i>Blood = Life</i>

116
00:13:22,789 --> 00:13:26,376
If this story bores you,
then you have no heart.

117
00:13:26,960 --> 00:13:28,453
I have a heart.

118
00:13:29,250 --> 00:13:31,070
So big it irritates me.

119
00:13:39,132 --> 00:13:43,413
Funeral march through
death of our friend Boris.

120
00:15:46,539 --> 00:15:49,158
<i>Just on the other side
from university street</i>

121
00:15:49,183 --> 00:15:52,562
<i>there is a big cafe,
all glass and steel,</i>

122
00:15:52,906 --> 00:15:54,446
<i>called “Eden”.</i>

123
00:15:54,530 --> 00:15:56,723
<i>Let's go there after class,</i>

124
00:15:56,863 --> 00:15:59,383
<i>or before, or instead.</i>

125
00:15:59,706 --> 00:16:02,122
<i>Inside, we invented
our stories,</i>

126
00:16:02,147 --> 00:16:04,090
<i>we play our roles.</i>

127
00:16:06,936 --> 00:16:09,938
<i>Inside, we pretend
be happy or sad,</i>

128
00:16:10,393 --> 00:16:12,859
<i>being in love,
end relationships,</i>

129
00:16:13,086 --> 00:16:14,737
<i>live adventures</i>

130
00:16:14,762 --> 00:16:17,533
<i>since in our
studious and useless life</i>

131
00:16:17,773 --> 00:16:21,806
<i>nothing ever really happens.</i>

132
00:16:27,044 --> 00:16:31,500
<i>The waiter bringing the lemonades
mixed with quinine or cocaine</i>

133
00:16:31,663 --> 00:16:33,111
<i>it's called Franc.</i>

134
00:16:33,136 --> 00:16:37,534
<i>This Franc pretends
be bizarre and sinister.</i>

135
00:16:37,926 --> 00:16:41,226
<i>They say he negotiates
mythological wares:</i>

136
00:16:41,443 --> 00:16:45,178
<i>drugs, white trafficking
to the Middle East,</i>

137
00:16:45,503 --> 00:16:47,111
<i>armored cars,</i>

138
00:16:47,386 --> 00:16:50,008
<i>camouflaged aquariums
like baskets of flowers,</i>

139
00:16:50,216 --> 00:16:52,982
<i>gold ingots, mirages.</i>

140
00:16:53,380 --> 00:16:56,047
<i>It is unlikely that
your name be Franc,</i>

141
00:16:56,414 --> 00:16:58,266
<i>but rather François Gervai,</i>

142
00:16:58,912 --> 00:17:02,166
<i>Daniel Dupont, Jean Robin
or any other.</i>

143
00:17:02,469 --> 00:17:05,675
<i>The newspapers say that
our generation has lost faith,</i>

144
00:17:06,025 --> 00:17:07,645
<i>the notion of values.</i>

145
00:17:07,770 --> 00:17:10,344
<i>That we take refuge
in artificial paradises,</i>

146
00:17:10,859 --> 00:17:14,083
<i>than our favorite distractions
are homosexual prostitution</i>

147
00:17:14,108 --> 00:17:15,933
<i>and gang rapes.</i>

148
00:17:16,206 --> 00:17:20,587
<i>After reading all this,
We tried everything just to see.</i>

149
00:17:21,233 --> 00:17:24,909
<i>We play seriously, with consistency.</i>

150
00:17:25,600 --> 00:17:28,823
<i>This amused us,
moderately.</i>

151
00:17:58,029 --> 00:17:59,870
<i>Marie-Eve is jealous.</i>

152
00:18:00,360 --> 00:18:03,428
<i>She pretends to pretend that
is jealous.</i>

153
00:18:03,746 --> 00:18:05,357
<i>But it doesn't fool anyone.</i>

154
00:18:05,637 --> 00:18:07,681
<i>He says he's going to commit suicide.</i>

155
00:18:08,080 --> 00:18:09,683
<i>Who knows why.</i>

156
00:18:11,429 --> 00:18:13,224
<i>My room is also empty.</i>

157
00:18:13,656 --> 00:18:15,318
<i>Just a big bed</i>

158
00:18:15,472 --> 00:18:17,589
<i>and the blue and white frame,</i>

159
00:18:18,273 --> 00:18:20,443
<i>my uncle's last memory.</i>

160
00:18:21,119 --> 00:18:22,785
<i>I liked him before.</i>

161
00:18:23,313 --> 00:18:25,931
<i>I liked my uncle
also, in the photos.</i>

162
00:18:27,373 --> 00:18:29,546
<i>I never met my father either.</i>

163
00:18:30,108 --> 00:18:31,887
<i>He died in Indochina.</i>

164
00:18:32,333 --> 00:18:34,111
<i>I'm lying, of course.</i>

165
00:18:35,148 --> 00:18:38,386
<i>The boy running is Marc-Antoine.</i>

166
00:18:38,806 --> 00:18:42,089
<i>He plays the hunted man
looking for a way out,</i>

167
00:18:42,409 --> 00:18:44,895
<i>knowing very well
that will be captured.</i>

168
00:18:46,580 --> 00:18:51,273
<i>It was then that we saw the stranger
watching us through the window.</i>

169
00:19:47,606 --> 00:19:49,221
Red wine.

170
00:20:44,917 --> 00:20:47,764
If you allow me, I can
show something similar.

171
00:20:49,196 --> 00:20:50,866
Give me two empty bottles.

172
00:21:04,083 --> 00:21:05,455
Get them.

173
00:21:08,506 --> 00:21:10,595
Stay next to her.

174
00:21:11,479 --> 00:21:12,961
Release one.

175
00:21:13,860 --> 00:21:15,272
Now the other one.

176
00:21:18,746 --> 00:21:20,326
Collect the pieces.

177
00:22:01,823 --> 00:22:03,508
Give me your hand.

178
00:22:23,429 --> 00:22:25,615
I learned this trick in Africa.

179
00:22:34,946 --> 00:22:37,267
I spent 30 years of my life there.

180
00:22:38,830 --> 00:22:42,182
<i>Ghosts of knights
against the sunset.</i>

181
00:22:42,772 --> 00:22:45,820
<i>Africa is another
ancient continent.</i>

182
00:22:45,846 --> 00:22:47,844
<i>Matter becomes magic.</i>

183
00:22:47,916 --> 00:22:51,586
<i>The black spirit, the conscience
dark of our reason.</i>

184
00:22:51,907 --> 00:22:55,502
<i>Dead matter
which is no longer rigid.</i>

185
00:22:55,527 --> 00:22:57,914
<i>Dead matter becomes magic.</i>

186
00:22:58,347 --> 00:23:00,601
<i>The blue water, the white sand</i>

187
00:23:00,626 --> 00:23:03,604
<i>and the hidden barrier
that reveals itself to you.</i>

188
00:23:04,208 --> 00:23:06,886
<i>Eyes full of
desert reflections.</i>

189
00:23:06,950 --> 00:23:11,630
<i>The young prisoners now
are locked in cells</i>

190
00:23:11,655 --> 00:23:13,375
<i>where no light enters.</i>

191
00:23:14,643 --> 00:23:18,627
<i>The wizards prepare
powders from poisonous plants</i>

192
00:23:18,970 --> 00:23:21,888
<i>able to change
people suddenly,</i>

193
00:23:21,913 --> 00:23:23,931
<i>while the priestesses</i>

194
00:23:23,956 --> 00:23:29,488
<i>continue to do
their sacred dances.</i>

195
00:23:29,936 --> 00:23:32,971
<i>Meanwhile, the
women have to suffer</i>

196
00:23:33,253 --> 00:23:36,552
<i>a long series</i>

197
00:23:37,161 --> 00:23:39,505
<i>initiation tests.</i>

198
00:23:39,733 --> 00:23:43,228
<i>The wizard dances around
big bonfires until it collapses.</i>

199
00:23:43,383 --> 00:23:47,442
If any of you
want to try the experience,

200
00:23:47,660 --> 00:23:50,920
I have one here
little of the “dust of fear”.

201
00:27:14,150 --> 00:27:16,638
<i>Suddenly, everything
returned to normal:</i>

202
00:27:17,063 --> 00:27:19,582
<i>faces, objects, gestures.</i>

203
00:27:21,199 --> 00:27:22,954
<i>At least, in appearance.</i>

204
00:27:24,028 --> 00:27:25,696
<i>As if Eden and
your regulars</i>

205
00:27:25,721 --> 00:27:28,649
<i>try to appear
tranquilizers.</i>

206
00:27:29,503 --> 00:27:32,882
From then on, everything was
a little blurry.

207
00:27:36,067 --> 00:27:40,032
Or rather, more confusing
in my memory.

208
00:27:42,486 --> 00:27:46,894
For the rest of the night,
we act out improvised scenes

209
00:27:48,569 --> 00:27:51,292
directed by that
unknown.

210
00:27:52,642 --> 00:27:55,224
He said our
Games were too abstract.

211
00:27:55,720 --> 00:27:57,162
He told us:

212
00:27:57,940 --> 00:28:01,725
<i>Before I enter
I watched you through the window.</i>

213
00:28:03,139 --> 00:28:04,993
<i>The movements were rigid,</i>

214
00:28:05,099 --> 00:28:07,951
<i>as if they were
uncomfortable in new clothes.</i>

215
00:28:08,153 --> 00:28:12,163
<i>Or afraid of getting dirty
or leaving marks.</i>

216
00:28:12,603 --> 00:28:13,989
Break it.

217
00:28:14,567 --> 00:28:16,040
You do
juggling ideas,

218
00:28:16,065 --> 00:28:18,645
but they don't want to
engage with living matter,

219
00:28:19,226 --> 00:28:21,565
as if not yet
had been born.

220
00:28:22,016 --> 00:28:24,110
You smile. They are protected.

221
00:28:24,447 --> 00:28:28,240
Outside there is rain,
snow and the big sun.

222
00:28:28,264 --> 00:28:29,640
And the night.

223
00:28:29,973 --> 00:28:31,693
Here, everything is air-conditioned.

224
00:28:31,857 --> 00:28:34,834
It's never cold or hot.

225
00:28:45,687 --> 00:28:47,741
Whoever draws the short straw

226
00:28:47,766 --> 00:28:49,800
will have to break
your own shell

227
00:28:49,953 --> 00:28:51,657
in front of everyone.

228
00:28:58,230 --> 00:29:00,185
Lean her over the table.

229
00:29:30,216 --> 00:29:32,320
I can teach another game.

230
00:29:33,473 --> 00:29:35,137
Give me a key.

231
00:29:41,226 --> 00:29:43,472
It would be better than
was her key.

232
00:29:44,013 --> 00:29:45,407
Hers.

233
00:32:03,246 --> 00:32:04,680
Tonight.

234
00:32:05,034 --> 00:32:07,294
Yes. Where?

235
00:32:08,616 --> 00:32:10,094
You choose.

236
00:32:11,326 --> 00:32:14,866
The canal in front of the factory.

237
00:32:19,156 --> 00:32:20,792
What's your name?

238
00:32:22,187 --> 00:32:24,647
Violette. And you?

239
00:32:27,022 --> 00:32:28,781
They call me Duchemin.

240
00:32:56,163 --> 00:32:57,790
I have to go.
I have an appointment.

241
00:32:58,022 --> 00:33:00,390
- Is it important?
- I'll soon know.

242
00:33:10,430 --> 00:33:11,844
Will you come with me?

243
00:33:12,397 --> 00:33:13,971
No, I have to work.

244
00:33:15,892 --> 00:33:17,346
Will you come?

245
00:33:17,773 --> 00:33:18,863
I go.

246
00:33:18,888 --> 00:33:20,730
<i>The last memory of my uncle.</i>

247
00:33:21,680 --> 00:33:23,196
<i>I liked him before.</i>

248
00:33:23,517 --> 00:33:26,195
<i>I liked my uncle
also, in the photos.</i>

249
00:33:27,310 --> 00:33:29,158
<i>That painting is
empty and dull.</i>

250
00:33:29,183 --> 00:33:31,502
<i>I used to look
for him for hours.</i>

251
00:33:31,777 --> 00:33:36,077
<i>Now I know it's worth a lot
money and taste less.</i>

252
00:33:36,333 --> 00:33:38,409
<i>I never met my father either.</i>

253
00:33:39,043 --> 00:33:40,693
<i>He died in Indochina.</i>

254
00:33:41,030 --> 00:33:43,669
<i>In Eden, we stage
war many times.</i>

255
00:33:43,950 --> 00:33:46,524
<i>Resistance, heroism, betrayal</i>

256
00:33:46,666 --> 00:33:48,804
<i>interrogations with torture...</i>

257
00:37:52,359 --> 00:37:54,800
Please, what
side is the water?

258
00:37:54,825 --> 00:37:56,200
The water?

259
00:37:56,412 --> 00:37:59,088
- The canal with the barges.
- Over there.

260
00:37:59,307 --> 00:38:00,927
Or here, it's the same thing.

261
00:38:01,632 --> 00:38:03,437
You are in the middle of an eight.

262
00:38:03,462 --> 00:38:06,636
Two huge cylinders
vertical side by side.

263
00:38:09,176 --> 00:38:11,098
No, let me explain better.

264
00:38:12,266 --> 00:38:14,308
Otherwise,
you can get lost

265
00:38:14,641 --> 00:38:16,994
and maybe never leave again.

266
00:38:52,542 --> 00:38:54,162
Not to be.

267
00:38:55,586 --> 00:38:57,083
Or else, interpret.

268
00:38:59,029 --> 00:39:01,231
That's the dilemma.

269
00:39:02,942 --> 00:39:04,481
No feelings.

270
00:39:05,233 --> 00:39:08,275
None of mine
feelings exist,

271
00:39:10,283 --> 00:39:14,178
except those I'm
interpreting to experience.

272
00:39:15,846 --> 00:39:18,486
<i>Come to mine
arms, my Ophelia</i>

273
00:39:18,567 --> 00:39:22,158
<i>Or else I
drown in your place</i>

274
00:39:30,340 --> 00:39:32,989
Shit! Now it's Macbeth.

275
00:39:38,213 --> 00:39:40,144
<i>After the last door,</i>

276
00:39:40,337 --> 00:39:43,119
<i>I'm surprised to see
which is lightening.</i>

277
00:39:44,282 --> 00:39:46,982
<i>How could it have
so long ago</i>

278
00:39:47,007 --> 00:39:50,735
<i>ever since those screams
They kicked me out of my meeting place

279
00:39:50,760 --> 00:39:53,678
<i>and they forced me to
hide in the factory?</i>

280
00:40:00,936 --> 00:40:04,169
<i>I feel like I woke up
of a confused sleep,</i>

281
00:40:04,243 --> 00:40:07,285
<i>afraid to arrive
late for school.</i>

282
00:40:10,453 --> 00:40:13,042
<i>Anyway,
back to the channel.</i>

283
00:40:13,979 --> 00:40:18,203
<i>Now it is broad daylight and
I easily find the bridge.</i>

284
00:40:18,846 --> 00:40:20,766
<i>No one there, of course.</i>

285
00:40:21,213 --> 00:40:24,872
<i>The stranger must have
get tired of waiting.</i>

286
00:42:34,346 --> 00:42:35,892
Marc-Antoine!

287
00:42:41,633 --> 00:42:43,062
Marie-Eve!

288
00:42:44,872 --> 00:42:46,407
Boris!

289
00:42:50,810 --> 00:42:52,435
Jean-Pierre!

290
00:42:59,152 --> 00:43:02,367
Jean-Pierre! Jean-Pierre!

291
00:44:02,132 --> 00:44:05,460
- Come quickly! Come!
- What there was?

292
00:44:06,283 --> 00:44:09,067
- I think he's dead.
- Who is dead?

293
00:44:09,126 --> 00:44:10,436
Duchemin.

294
00:44:11,050 --> 00:44:12,589
Who is Duchemin?

295
00:44:14,636 --> 00:44:17,221
Last night… Last night

296
00:44:17,676 --> 00:44:20,527
you all got into that
new factory near the canal.

297
00:44:21,126 --> 00:44:23,023
No, we stay here.

298
00:44:53,703 --> 00:44:55,224
It was there.

299
00:44:55,956 --> 00:44:58,646
- What? Your bag?
- No, the stranger.

300
00:44:59,423 --> 00:45:01,100
The crabs ate him.

301
00:45:02,266 --> 00:45:04,202
Didn't you smoke a little too much?

302
00:45:05,646 --> 00:45:07,056
And my bag?

303
00:45:08,653 --> 00:45:10,073
My bag.

304
00:45:14,089 --> 00:45:17,015
- Did you leave your bag here?
- No, I didn't.

305
00:45:17,279 --> 00:45:20,508
- Where was she?
- I don't know. I lost.

306
00:45:21,266 --> 00:45:23,176
Elementary, my dear Watson.

307
00:45:23,449 --> 00:45:27,211
The bag came here
and ate the body.

308
00:45:30,189 --> 00:45:31,507
My key.

309
00:45:32,007 --> 00:45:33,720
It must be in the cafe.

310
00:45:44,013 --> 00:45:46,060
What will I do without my key?

311
00:45:46,423 --> 00:45:48,953
Come sleep at my house.

312
00:46:51,900 --> 00:46:54,161
Nobody believed in
my story about the corpse.

313
00:46:54,819 --> 00:46:58,169
After all, there was no
no trace of him.

314
00:47:00,253 --> 00:47:02,112
You don't believe me either.

315
00:47:03,759 --> 00:47:05,639
- Are you sure he was dead?
- Yes.

316
00:47:05,664 --> 00:47:09,143
- And are you sure it was him?
- Yes, here's the proof.

317
00:47:10,323 --> 00:47:13,214
I found this in the jacket
of him when I pulled him out.

318
00:47:14,069 --> 00:47:16,072
{\an8}<i>In Djerba, as agreed.
Claude</i>

319
00:47:16,103 --> 00:47:17,642
His name was Eric.

320
00:47:18,039 --> 00:47:20,497
- He only gave his last name.
- Dutchman.

321
00:47:20,889 --> 00:47:25,019
Yes, something like that.
I thought it was Duchemin.

322
00:47:25,619 --> 00:47:27,651
Djerba is the land above
which he spoke.

323
00:47:28,053 --> 00:47:31,211
It really looks like blood.
Did he have any visible wounds?

324
00:47:31,236 --> 00:47:32,885
I don't remember.

325
00:47:43,620 --> 00:47:46,174
- Franc didn't arrive?
- Who is Franc?

326
00:47:46,199 --> 00:47:47,840
The waiter here.

327
00:47:47,944 --> 00:47:50,653
Ah, so the former waiter
Was his name Franc?

328
00:47:52,169 --> 00:47:53,709
Why “the old one”?

329
00:47:54,130 --> 00:47:56,709
Why did he stop
work here last night.

330
00:47:57,319 --> 00:47:58,961
Like this? Suddenly?

331
00:47:59,059 --> 00:48:02,481
Certainly not. My arrival
was decided a long time ago.

332
00:48:03,810 --> 00:48:05,122
Same?

333
00:48:06,763 --> 00:48:09,907
When you got here,
found a key?

334
00:48:10,486 --> 00:48:12,873
There's a key on the piano.

335
00:48:21,056 --> 00:48:23,954
<i>I feel it immediately
that something has changed.</i>

336
00:48:24,747 --> 00:48:27,096
<i>The blue and white painting
 disappeared.</i>

337
00:48:27,946 --> 00:48:31,339
<i>Stolen without the
lock was forced.</i>

338
00:48:32,820 --> 00:48:36,524
<i>I discovered that I already knew
this a long time ago.</i>

339
00:48:37,436 --> 00:48:40,094
<i>That absurd game
with my key,</i>

340
00:48:40,483 --> 00:48:43,429
<i>last night's “accident”,
which was certainly a crime,</i>

341
00:48:43,946 --> 00:48:46,314
<i>and Franc's abrupt departure.</i>

342
00:48:46,793 --> 00:48:50,583
<i>All I have left is the postcard
stained red.</i>

343
00:48:51,095 --> 00:48:54,434
<i>The image, a
smooth wall of a house,</i>

344
00:48:54,555 --> 00:48:59,206
<i>reminds me of a
short film about Tunisia</i>

345
00:48:59,403 --> 00:49:02,023
<i>what we saw this week
set at Cinema Éden.</i>

346
00:49:02,048 --> 00:49:03,869
<i>The whitewashed walls of the house,</i>

347
00:49:04,023 --> 00:49:06,457
<i>against which it stands out
the blue geometry of the doors</i>

348
00:49:06,482 --> 00:49:08,388
<i>and windows.</i>

349
00:49:09,078 --> 00:49:11,726
<i>The balustrade looks
a still photo,</i>

350
00:49:11,866 --> 00:49:13,701
<i>while the sun
flattens surfaces</i>

351
00:49:13,726 --> 00:49:16,079
<i>and eliminates any
death effect.</i>

352
00:49:16,740 --> 00:49:19,398
<i>Also the sand, in
early hours of the morning,</i>

353
00:49:19,596 --> 00:49:21,646
<i>deprived of shadows
and perspective,</i>

354
00:49:21,840 --> 00:49:25,087
<i>abolish distances,
making them impassable.</i>

355
00:49:25,866 --> 00:49:28,473
<i>They will be the famous
oasis just mirages</i>

356
00:49:28,498 --> 00:49:30,646
<i>that were never achieved
by no visitors?</i>

357
00:49:30,783 --> 00:49:33,298
<i>And yet no one
want to exclude them from the maps,</i>

358
00:49:33,656 --> 00:49:38,010
<i>because they seem
close, sparkling and real.</i>

359
00:49:42,603 --> 00:49:43,931
<i>Water</i>

360
00:49:43,956 --> 00:49:48,128
<i>a mirror created by
contact of the air with the burning sun,</i>

361
00:49:48,546 --> 00:49:51,989
<i>but misleading, because
you can walk for hours</i>

362
00:49:52,014 --> 00:49:54,590
<i>towards the open sea
without penetrating it.</i>

363
00:51:04,546 --> 00:51:05,988
A beautiful house.

364
00:51:06,262 --> 00:51:08,679
Yes. Is it far?

365
00:51:10,146 --> 00:51:12,709
Not a lot. On that street.

366
00:51:13,320 --> 00:51:15,901
In the second or
third block.

367
00:51:16,540 --> 00:51:18,134
You can go on foot.

368
00:51:19,692 --> 00:51:21,253
Thanks.

369
00:51:40,665 --> 00:51:44,756
What should we do
now that she has arrived?

370
00:52:02,460 --> 00:52:04,410
We need to kill her
immediately.

371
00:52:05,906 --> 00:52:07,420
No, not right away.

372
00:52:12,242 --> 00:52:13,908
After she speaks.

373
00:52:14,236 --> 00:52:17,950
- I decide that now!
- And the painting?

374
00:52:19,029 --> 00:52:20,960
Are you the one who will find him?

375
00:52:35,500 --> 00:52:37,253
Do you know this house?

376
00:52:43,112 --> 00:52:45,094
This house doesn't have
nothing particular.

377
00:52:45,962 --> 00:52:49,154
They're all the same.
It could be that one over there.

378
00:53:40,490 --> 00:53:43,885
<i>It was the day I met
the Dutchman for the first time.</i>

379
00:53:44,666 --> 00:53:48,242
<i>He was a sculptor, or something.</i>

380
00:53:49,579 --> 00:53:51,807
<i>Collected discarded objects</i>

381
00:53:51,912 --> 00:53:55,762
<i>generally large,
who painted with vivid colors</i>

382
00:53:56,143 --> 00:53:57,715
<i>along with nude models.</i>

383
00:53:58,010 --> 00:54:01,180
<i>They remained motionless or
frozen in strange poses,</i>

384
00:54:01,486 --> 00:54:03,754
<i>between frames and
metal structures.</i>

385
00:54:05,729 --> 00:54:07,957
<i>He spoke few words.</i>

386
00:54:08,980 --> 00:54:11,132
<i>Maybe he wasn't even talking.</i>

387
00:54:12,386 --> 00:54:14,635
<i>Your face, your posture,</i>

388
00:54:14,660 --> 00:54:16,920
<i>his pale eyes and
the gray temples</i>

389
00:54:17,155 --> 00:54:20,236
<i>reminded me
violently someone.</i>

390
00:54:21,240 --> 00:54:24,404
<i>But this impression
disappeared immediately.</i>

391
00:54:25,153 --> 00:54:27,344
<i>Maybe it was that
known phenomenon</i>

392
00:54:27,369 --> 00:54:31,382
<i>as immediate memory,
or “memory of the future”.</i>

393
00:57:30,195 --> 00:57:32,513
<i>When I entered that house,</i>

394
00:57:32,867 --> 00:57:35,636
<i>there was another girl</i>

395
00:57:35,926 --> 00:57:38,842
<i>which also looked familiar to me.</i>

396
00:57:40,012 --> 00:57:42,016
<i>She posed for Dutchman,</i>

397
00:57:42,402 --> 00:57:45,267
<i>but probably
She was also his lover.</i>

398
00:57:47,966 --> 00:57:50,257
<i>He still had the
same slow gestures</i>

399
00:57:50,282 --> 00:57:53,114
<i>of a farmer
accustomed to clay,</i>

400
00:57:53,322 --> 00:57:55,089
<i>or a stone cutter,</i>

401
00:57:55,396 --> 00:57:59,105
<i>with his immobile and absent gaze.</i>

402
01:04:45,043 --> 01:04:47,836
What are you looking for?

403
01:04:48,452 --> 01:04:51,313
Nothing. But I found it.

404
01:04:52,230 --> 01:04:55,150
What? The painting?

405
01:04:55,720 --> 01:04:57,163
What painting?

406
01:04:57,673 --> 01:04:59,101
No.

407
01:05:00,523 --> 01:05:03,308
I found what I didn't
I knew what I was looking for.

408
01:06:40,982 --> 01:06:42,523
Did you find it?

409
01:06:43,389 --> 01:06:46,260
- No, nothing.
- You looked badly.

410
01:06:46,783 --> 01:06:48,350
No, it's not here.

411
01:06:49,972 --> 01:06:51,778
Franc is making fun of us.

412
01:06:52,526 --> 01:06:54,235
I'll take care of it.

413
01:10:10,671 --> 01:10:12,064
No!

414
01:10:13,208 --> 01:10:15,315
Let me go!

415
01:12:14,149 --> 01:12:18,802
<i>They locked me in a cellar,
or in a kind of cell,</i>

416
01:12:19,353 --> 01:12:21,184
<i>with hands chained
behind the back</i>

417
01:12:21,717 --> 01:12:23,937
<i>and a blindfold.</i>

418
01:12:25,269 --> 01:12:28,042
<i>On the first day,
I made the sale slip</i>

419
01:12:28,213 --> 01:12:31,122
<i>rubbing your face
against the straw.</i>

420
01:12:31,826 --> 01:12:33,665
<i>But they hit me
so hard</i>

421
01:12:33,690 --> 01:12:35,886
<i>who tore my
clothes in pieces.</i>

422
01:12:36,913 --> 01:12:38,701
<i>And they blindfolded me again.</i>

423
01:12:38,726 --> 01:12:42,594
<i>I don't know when, because I don't
I can distinguish the days from the nights.</i>

424
01:12:46,956 --> 01:12:50,278
<i>They want to know where
is the painting. What painting?</i>

425
01:12:50,303 --> 01:12:53,464
<i>I told the truth: that I
I didn't know and I didn't care.</i>

426
01:12:54,149 --> 01:12:55,970
<i>But they didn't believe me.</i>

427
01:13:42,846 --> 01:13:45,075
You still don't
Did you find that painting?

428
01:13:48,554 --> 01:13:50,009
No.

429
01:13:51,921 --> 01:13:53,386
Why?

430
01:14:01,490 --> 01:14:04,770
Because I discovered
where did you hide it?

431
01:14:21,516 --> 01:14:24,399
Let me go, please!

432
01:14:24,424 --> 01:14:26,062
You are hurting me.

433
01:14:29,542 --> 01:14:31,238
No! No, wait.

434
01:14:31,263 --> 01:14:33,110
I will explain everything.

435
01:15:05,938 --> 01:15:07,558
Don't move so much.

436
01:15:10,255 --> 01:15:13,649
Ready. Now you
it will be very quiet

437
01:15:15,190 --> 01:15:18,291
and tell me where the
frame is hidden.

438
01:15:18,316 --> 01:15:20,104
And if you don't tell me...

439
01:15:44,410 --> 01:15:45,794
Where is the painting?

440
01:15:52,526 --> 01:15:54,084
Where is the painting?

441
01:16:01,636 --> 01:16:03,119
Where is the painting?

442
01:16:21,953 --> 01:16:25,638
Check. Nothing done
with Duchemin.

443
01:16:26,032 --> 01:16:29,228
He won't change
the painting by Violette.

444
01:16:34,029 --> 01:16:36,399
So what
what do we do with the girl?

445
01:16:44,349 --> 01:16:47,764
I already said:
Let's make her talk.

446
01:16:49,626 --> 01:16:52,476
When we know where the painting
Yeah, we got it ourselves.

447
01:16:54,256 --> 01:16:56,151
You will never find him.

448
01:17:00,226 --> 01:17:01,785
How do you know?

449
01:17:02,523 --> 01:17:04,843
And Sonia? Why
Isn't she here?

450
01:17:11,053 --> 01:17:13,467
I'm not Sonia's babysitter.

451
01:17:22,528 --> 01:17:25,061
Violette, listen.

452
01:17:26,829 --> 01:17:28,554
They will kill you
anyway.

453
01:17:29,143 --> 01:17:31,281
Swallow this powder and everything will be over.

454
01:17:35,407 --> 01:17:36,866
Who are you?

455
01:17:38,129 --> 01:17:39,629
Nobody.

456
01:18:26,219 --> 01:18:27,758
Get up.

457
01:18:42,017 --> 01:18:44,313
Take off my chains.
It will be easier.

458
01:18:56,162 --> 01:18:58,033
Want to know if I like you?

459
01:18:59,766 --> 01:19:02,034
Drink this and you will know
what I think.

460
01:27:30,216 --> 01:27:31,794
Marc-Antoine?

461
01:34:33,136 --> 01:34:34,717
<i>The little picture.</i>

462
01:34:35,517 --> 01:34:37,049
<i>I didn't like him anymore.</i>

463
01:34:37,561 --> 01:34:39,558
<i>I had already forgotten about it.</i>

464
01:34:40,756 --> 01:34:42,743
<i>They could do the
whatever they wanted with him.</i>

465
01:34:42,997 --> 01:34:44,632
<i>I didn't care.</i>

466
01:34:45,855 --> 01:34:48,866
<i>Boris was dead.
Sonia was dead.</i>

467
01:34:49,383 --> 01:34:52,221
<i>Maybe Marc-Antoine
and Marie-Eve too.</i>

468
01:34:52,960 --> 01:34:54,724
<i>And I didn't care.</i>

469
01:35:03,232 --> 01:35:06,871
<i>The Dutchman was dead.
I didn't care about that either.</i>

470
01:35:07,667 --> 01:35:09,850
<i>And now, it was
Jean-Pierre's turn.</i>

471
01:35:10,277 --> 01:35:11,790
<i>Why?</i>

472
01:35:12,456 --> 01:35:14,620
<i>Because of that
absurd comic.</i>

473
01:35:15,274 --> 01:35:17,142
<i>A few million francs.</i>

474
01:35:17,706 --> 01:35:19,485
<i>It's impossible.</i>

475
01:35:20,412 --> 01:35:24,230
<i>Or else, for what other reason?</i>

476
01:35:27,565 --> 01:35:30,110
<i>I walked at random,
without thinking about anything.</i>

477
01:35:30,546 --> 01:35:32,485
<i>I found the sea again.</i>

478
01:36:34,825 --> 01:36:37,464
<i>Now I am again
alone in my room.</i>

479
01:36:38,136 --> 01:36:40,266
<i>Nothing has happened yet.</i>

480
01:36:41,636 --> 01:36:45,273
<i>In a little while, I will find
my friends in Eden.</i>

481
01:36:53,830 --> 01:36:57,045
<i>Everyone will look tired,
as if they had gone very far.</i>

482
01:36:58,176 --> 01:37:02,335
<i>Franc will still look
a villain of the piece.</i>

483
01:37:03,903 --> 01:37:07,276
<i>Let's drink lemonade
with quinine or cocaine.</i>

484
01:37:09,788 --> 01:37:11,430
<i>To get rid of boredom,</i>

485
01:37:11,717 --> 01:37:14,754
<i>We will play hide and seek
and things like that.</i>

486
01:37:16,020 --> 01:37:20,363
<i>At the end of the night, when
the game reaches its peak,</i>

487
01:37:21,022 --> 01:37:23,244
<i>suddenly there will be
a great silence.</i>

488
01:37:24,139 --> 01:37:26,341
<i>Slowly, one after another,</i>

489
01:37:26,366 --> 01:37:29,192
<i>we will turn our heads
toward the windows.</i>

490
01:37:29,653 --> 01:37:31,717
<i>On the other side
transparent glass</i>

491
01:37:31,957 --> 01:37:34,634
<i>we will see the stranger,
newcomer,</i>

492
01:37:35,116 --> 01:37:37,487
<i>looking at us
with your pale eyes</i>

493
01:37:38,069 --> 01:37:39,977
<i>and already pushing the door.</i>

494
01:37:40,002 --> 01:37:42,956
<i>Subtitles in PT-BR
by <b>@cultfilmfansub</b></i>

495
01:37:42,981 --> 01:37:47,896
<b>END</b>


